When you see and touch the massive article of furniture ofDavid Kiss , you palpate something sensational , something deeply ancient and radiantly modern at the same fourth dimension . I recently link the Hungarian product clothes designer and sculptor for a sidereal day , to check his process — which verges on alchemy .

This hebdomad , David is presenting his piece of work at theSalone Satellite 2014 , a prestigious show window for young designers in Milan , Italy . But a few days ago , as he made a few new pieces of “ castwood ” furniture for the show , I got to witness how these wonderful wooden - metal hybrid are bear .

The first article of furniture I assure at David ’s studio were two simple barstools and a matching table in a public house . At first glance , the two piece seemed quite sturdy , and , well , rather oafish . But a closer review discover wondrous details .

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Photo : thebakker.com

The wooden parts looked as if they all originate from a razed Viking battlewagon , and the four main join corners were definitely made of some special kind of alloy . At these joints , the metal fall into place the Sir Henry Joseph Wood , and the cracks were occupy with s silvery textile . The two content were engage together so powerfully , it was almost as though they had been joined together at the creation of time .

How does David make these fascinating pieces ? With a fiery piece of workmanship .

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David , under the nameThebakker Manufactory(named after a Hungarian - dubbed catch phrase from MTV ’s Beavis and Butthead ! ) had experiment with metal and Sir Henry Joseph Wood in the past tense , but his love for the craft came when he produce a metal and wood chair as his product and blueprint dissertation at the Budapest University of Technology and Economics . That was the spell that inspired his current practice .

The tricky part is that David makes his furniture by rain cats and dogs molten metal on wooden joint — no screws , no nails , just pure wood and melted alloy . He usesZAMAKfor casting , an metal of atomic number 30 , magnesium , aluminum , and copper , grow by the New Jersey Zinc Company in 1929 , because it has a humble melting point and a much rough grain than perfect aluminum . That stand for it does n’t coiffe the wood on fire , and looks gorgeous when it solidifies .

Although he create his first batch of furniture with his own hand , this time David had asked local woodsman and smelters to contribute to the process . When I visit , he had terminate up spending almost 12 hours stray a pot and a bench — but the end outcome was mesmerize .

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The first experiments with ZAMAK and wood :

Beautiful castwood details :

On the left wing is a barstool made of recycled wood , on the rightfield , one of the new part :

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Here ’s a castwood easy death chair in the devising :

And here ’s David gear up the wooden parts for casting :

Here ’s the raw ZAMAK :

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Putting together the cast frame :

And here comes the molten alloy :

Here ’s the half - made stool ( note the burn , melanize tannin from the oak – you could see the flames in the video above ):

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detail of the rough metal junction ( which are to be write out and burnished ):

Here are the three stages of creation :

The ruined product advance two common textile to otherworldly status , and it was an absolutely magical mental process to see . stop out more on David ’s websitehere — you’re going to be seeing his name in the dear future .

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( Photo : Attila Nagy / Gizmodo , extra reputation by Dávid Klág / Cink )

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